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Exhibitions

	During lifetime in Moscow

	1968	3 days in Institute of Organic chemistry named for A.N.Nesmejanov, one-man show, Moscow.
	1968	10 days in Institute of an atomic energy named for I.V.Kurchatov, one-man show, Moscow.
	1970-1975	In a studio of the artist 2 months during lifetime and 4 and a half of a year after death.
	From 1977 until 1991 the most part of works was abroad. Now they are returned in Russia. Exhibits abroad:

	1978	Vienna, Austria, School for programmers of firm "Siemens data", one-man show.
	1979	Achberg, Germany, The Independent university named for A.D.Saharov, one-man show.
	1979	Dorsten, Germany, gallery "Blue circle ", group show.
	1980	Stuttgart, Germany, one-day exhibition of one picture on the area.
	1980	Tubingen, Germany, insurance society АОК, one-man show.

	1980	Stuttgart, Germany, Youth club "Forum 3 ", one-man show.
	1981	Herrenberg, Germany. In high national school and in a town hall. Both as one-man shows.
	1981	Mongeron (suburb of Paris), France, in the castle, one-man show.
	1982	Stuttgart, Germany, one-day exhibition in the street, one-man show.
	1982	Leonberg, Germany, an one-day exhibition in park, one-man show.
	1982	Stuttgart, Germany, club " Liberal center ", one-man show.
	1983	Munich, Germany, one-day exhibition in Old Botanical garden, one-man show.
	1984	Munich, Germany, in the Emigrants club, one-man show.
	1984	Vienna, Austria, Theatre "Brett", one-man show.
	1984	Garhing (near Munich), Germany, an one-day exhibition on the area before " Festival of art from Russia ", one-man show.
	1987	Munich, Germany, in the Emigrants club, with paintings of his son Valery Valius.
	1987	Munich, Germany, Society of religious Renewal, with paintings of his son.
	Exhibits in Russia: Pictures which were not in the West:
	1885	Moscow, The Central house of writers, one-man show.
	1988	Kazan, Museum of fine arts, one-man show.
	1990	Kazan, in the Exhibits Hall, with paintings of the son.
	1990	Moscow, The Central Artists House, group exhibition "Another art ".
	Exhibits together with the pictures which were returned in Russia:

	1991	St. Petersburg in the Diaghilev Center, with paintings of his son.
	1992	Moscow, The Cinema House, with paintings of his son.
	1992	Moscow, Central Artists House, with paintings of his son.,
	1992	Group exhibition of Federation of the Moscow artists.
	1993	Moscow, Exhibit Hall "Creativity", one-man show.
	1996	Peredelkino (Moscow suburbs), Museum-House of Korney Chukovsky, 2 days exhibition, one-man show..
	1999	Center for contemporary Art named for A.Zverev, with paintings of his son.

	2002	Moscow, The Jewish cultural center, with paintings of his son.
	2002	Moscow, Exhibit Hall "Beliaevo", one-man show.
	2003	Moscow, Exhibit Hall "Na Kashirke", with paintings of his son.
	2003	Moscow, Gallery " New Hermitage ", group show.
	2011	Moscow, Exhibit Hall "Na Kashirke", one-man show, painting, graphic
	2012	"A museum of Man", one-man show, Moscow, painting, graphic
	2014	Moscow, Exhibit Hall "Na Kashirke", with paintings of his son.
	2014	"Salon of all muses" Annas Korotkova, one-man show, prints.
	2019	Exhibition of the International Art Fund "The semantic expressionism of Pjotr and Valery Valius", Moscow.
	2022	Three group exhibitions of the International Art Fund in Moscow (giclee, rugs "Oil", "Tempers", "Drawings")
	2022	"Vanguard yesterday, today and tomorrow", Moscow, group. Giclee, rug "Oil".
	2023	Three group exhibitions of the International Art Fund in Moscow: 1. Spring vernissage "WOMEN AND CATS". 2. Foreign literature in the visual arts. 3. "RUSSIA and RUSSIAN ORIENTALISM" with reformatting into the project: Exhibition - Forum "CULTURAL CODE OF RUSSIA".

A note on the organization of exhibitions in Moscow recently

Again it became difficult to show the work to the audience. I became less strong, my desires subsided, the Internet created an outlet - there I exhibit without problems. Exhibitions were more difficult to organize. If at all possible. I did not thoroughly study this question in view of the already mentioned shortage of power and the outlet of the Internet. Places where you can put pictures somehow strongly ordered, united in a hierarchy. The exhibition halls were united all over Moscow, Cultural centers by districts, libraries also subordinated. Several years ago it was possible to come to the director and within 15 minutes to negotiate an exhibition or get a refusal. In case of refusal, there was much more to go on. Now the application is reviewed once a year, and if the exhibition is denied, then there is nowhere to go. Directors were renamed into the managers and they began to live with an eye to the top. Although they are not like children, they understand things in their business. In short, places where a person beautify a place, rather than a place beautify a person, are much cleaned up. In art there is the breath of life. But the official did a career, the art is the opposite. Even if he was taught, who was Malevich, who Leonardo da Vinci.

Of course, the artists are different too. But if each picture is for him some kind of discovery, or even a few, then the exhibition let fifty pictures have no chances. That none of the fifty ideas are not humbled by the authorities, who in turn have bosses, this is unlikely. Prohibit some work is also not with the hand. Censorship is as though canceled. So it's easier to dictate which exhibitions to organize rather than listen. But you can show attention. This is called crowdsourcing. A new word in Russian, taken from English, means the search for ideas from people. As if no one had ever tried to reach the authorities in his life.